Peck, L. S. L. (2025, June). Musicking as a religio-spiritual surrogate in contemporary Britain. Talk presented at Future Religions | Religious Futures, Sheffield, United Kingdom.

Peck, L. S. L. (2025, March). Investigations into the psychology of musical awe. Talk presented at Tapton School Arts, Humanities and Social Science Seminar Series, Sheffield, United Kingdom.

Timmers, R., Peck, L. S .L., Arthurs, Y., & Sadakata, M. (July, 2024). Modelling variations in perceived emotion in Jazz and Western classical music: A comparison between Japanese and UK listeners. Poster presented at The European Society for Cognitive Science of Music (ESCOM12), York, United Kingdom.

Peck, L. S. L. (2024, March). Investigations into the psychology of musical awe. Talk presented at Oxford Seminars in the Psychology of Music, Oxford, United Kingdom.

Peck, L. S. L., O'Neill, K., & Fleckenstein, A. (2023, October). Wellbeing, mental health and the PhD process. Panel discussion presented at the 16th International Conference of Students of Systematic Musicology (SysMus23), Sheffield, United Kingdom.

Peck, L. S. L. (2023, May). Researching religion: Identity, wellbeing and ethical considerations. Talk presented at Researching religion, language, and the arts: Navigating ethical challenges and exploring opportunities. University of Sheffield, United Kingdom.

Peck, L. S. L. (2022, July). Empirical approaches to the psychology of musical awe. Public talk presented at PubHD, Sheffield, United Kingdom.

Peck, L. S. L. (2022, May). Sonic components of the sublime: Feature extraction and comparative analyses of awe-associated music. Poster presented at Music and the Brain 2022: Sound, Space, and the Aesthetics of the Sublime, Stanford University, United States.

Peck, L. S. L. (2021, November). Empirical approaches to understanding musical awe: Qualitative and quantitative investigations into experience and perception. Paper presented at the 14th International Conference of Students of Systematic Musicology (SysMus21), Aarhus University, Denmark.

Peck, L. S. L. (2021, September). Interrelationship of musical awe and virtual size: Correlations and Granger causality of real-time perceptions. Poster presented at the 16th International Conference on Music Perception and Cognition and 11th triennial conference of the European Society for the Cognitive Sciences of Music, University of Sheffield, United Kingdom.

Peck, L. S. L. (2020, September). The size of musical awe: Correlations of musical features and the perceptions of virtual size. Poster presented at the 13th International Conference of Students of Systematic Musicology (SysMus20), University of York, United Kingdom.

Peck, L. S. L. & Grealey, P. (2020, May). Autobiographical significance of meaningful musical experiences: Reflections on youth and identity. Paper presented at the Oxford Music Faculty Graduate Study Day, University of Oxford, United Kingdom.

Peck, L. S. L. (Postponed). Perceptions and associations of musical awe in three experiments. Paper presented at the Music Graduate Research Seminars, University of Sheffield, United Kingdom.

Peck, L. S. L. (2019, September). Primary text analyses of recorded musical experiences of awe and the sublime. Paper presented at the 11th International Conference of Students of Systematic Musicology (SysMus19), Berlin, Germany.

Peck, L. S. L. (2019, March). Generalisability and bifurcation of music associated with experiences of awe. Paper presented at 2019 SEMPRE Graduate Conference, University of Cambridge, United Kingdom.

Peck, L. S. L. (2019, January). Generalisability and bifurcation of music associated with experiences of awe. Paper presented at the Music Graduate Research Seminars, University of Sheffield, United Kingdom.

Peck, L. S. L. (2018, October). Musical awe: Understanding emotional experiences from powerful music. Paper presented at the Systematic Musicology Research Seminars, University of Graz, Austria.

Peck, L. S. L. (2018, July). Musical awe: Appraisal models and complex emotional experiences. Paper presented at the 15th International Conference on Music Perception and Cognition and 10th triennial conference of the European Society for the Cognitive Sciences of Music, Graz, Austria.

Peck, L. S. L. (2018, June). Aesthetic judgments and musical awe: linking appraisal models and the BRECVEMA framework. Poster presented at the 11th International Conference of Students of Systematic Musicology (SysMus18), Belo Horizonte, Brazil.

Peck, L. S. L. & Spencer, E.K. (2018, March). Musical awe: Social, spatial and sensory perspectives. Paper presented at the Graduate Research and Career Improvement Advice Sessions, University of Oxford, Oxford, United Kingdom

Peck, L. S. L. (2017, September). Experiences and appraisals of musical awe. Poster presented at the 10th International Conference of Students of Systematic Musicology (SysMus17), London, United Kingdom.

Peck, L. S. L. (2015, October). Rating emotions in a cross-modal context: How music and images are perceived and felt. Poster presented at the 4th International Conference on Music and Emotion, Geneva, Switzerland.

Peck, L. S. L. (2015, October). Juxtaposition of cross-modal emotions. Paper presented at Fun Palaces, Sheffield, United Kingdom